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Hey Uncle Bobbie – could you point your gun up in the air and fire it off once or twice? I wanna watch everyone freak out…

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Hey Uncle Bobbie – could you point your gun up in the air and fire it off once or twice? I wanna watch everyone freak out…
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Image by Ed Yourdon
Note: this photo was published in an undated (Dec 25, 2010) Everyblock NYC zipcodes blog titled "10020."

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As I wrote when I visited Rockefeller Center a year ago, it’s a well known phenomenon that most people never bother to visit the famous landmarks and tourist attractions in their own city. God only knows how many Parisians have never visited the Louvre, and how many Londoners have never been inside Buckingham Palace. Many Washingtonians would probably have to admit that they’ve never been on the White House tour, and I can only guess at the number of New Yorkers who have never been to the top of the Empire State Building.

When we do visit such landmarks, it’s often because a visiting relative insists on seeing it; or sometimes guilt will force us to drag our young children to see the sights, because "everyone should see the XYZ building as part of their education." That probably explains why I can actually say that I’ve been to the Statue of Liberty (though it was more than 35 years ago), why I’ve been to the 102nd floor of the Empire State Building, and why I dined at Windows on the World in the days before 9-11. I even spent one miserable New Year’s Eve in Times Square, along with a million other screaming revelers — which most New Yorkers would tell you is something only wide-eyed tourists and drunken teenagers from New Jersey would want to experience.

But despite all the tourist attractions I can say that I’ve been to in New York (Yankee Stadium, the Bronx Zoo, and so on), I have to admit that I’ve only been to Rockefeller Center once during the Christmas season — as documented in this this Flickr set. I’ve watched the annual tree-lighting ceremony on television numerous times, but have had no interest in standing in the bitter cold with a gazillion tourists as the tree is hoisted and lit. Nor have I had any interest in visiting during the final days leading up to the Christmas holiday itself …

As I did last year, I skipped the tree-lighting ceremony this year — but since I did come down here a year ago to take some photos, I thought it might be worth returning once again. Why? Because I thought the ice-skating rink would once again be a scene of dazzling color, stylish fashions, and great displays of athletic prowess on the ice. Unfortunately, that only seems to be true in Hollywood movies; like last year, what I saw was mostly a bunch of klutzy skaters and children sprawled out on the ice when they tripped and fell. There were a few attractive people, but no dazzling beauties; and the outfits were generally fairly dull and uninteresting. The only improvement this year was a rotund Santa Claus, who was friendly enough to cuddle up to several couples and family groups for some tourist photos.

I did manage to get a few interesting photos of skaters and local scenery, and I dutifully captured a vertical shot of the enormous Christmas tree. But after that, I fell back on my most favorite activity: photographing the "ordinary" people who milled around the square-block center, most of them observing the skaters and the overall scene. Almost all were tourists and visitors, and the Tower-of-Babel collection of dialects and languages made it clear that quite a few were international visitors, many with children in tow.

The other difference between this year and last year is that I shot videos as well as still shots; I’m still organizing the videos, and they will eventually be combined with some other videos taken during this week before Christmas. Meanwhile, though, I hope you’ll enjoy these still photos of the Christmas scene at Rockefeller Center…

Nature’s Fireworks
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Image by -Snugg-
These fireworks are my favorite kind. They’re quite expansive, covering nearly the whole sky, they last for many times the span of their artificial counterparts. They are bright, yet subtle, showy on the surface but also offering minute variations in color and texture to more astute viewers. Not only are they safer because they don’t require pyrotechnicians, but they are also gentler on the ears — great for old folks and tykes, and anyone who wants to be able to hear until next year… all in the comfort of your backyard.

With a sky like this, how can you justify getting in the car and going off into the crowds to watch people explode things into the air? I think this may be my new 4th of July tradition! I just hope it doesn’t rain next year….

(without color adjustments!)

Arlo watching Abby, watching the funny lights
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Image by DirtBikeDBA (Mike)
I don’t know how long the novelty will last, but the cats are totally intrigued by this umbrella thingy that makes funny light.

TV Shows We Used To Watch – British TV show – BBC Till Death Us Do Part

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TV Shows We Used To Watch – British TV show – BBC Till Death Us Do Part
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Image by brizzle born and bred
Till Death Us Do Part was a British television sitcom that aired on BBC1 from 1965 to 1968, 1970, and from 1972 to 1975. First airing as a Comedy Playhouse pilot, the series aired for seven series until 1975. Six years later, ITV continued the sitcom, calling it Till Death…. From 1985 to 1992, the BBC produced a sequel In Sickness and in Health.

Created by Johnny Speight, Till Death Us Do Part centred on the East End Garnett family, led by patriarch Alf Garnett (Warren Mitchell), a reactionary white working-class man who holds racist and anti-socialist views. His gentle and long-suffering wife Else was played by Dandy Nichols, and his daughter Rita by Una Stubbs. Rita’s bright but layabout husband Mike Rawlins (Antony Booth) is a socialist.

The character Alf Garnett became a well known character in British culture, and Mitchell played him on stage and television up until 1998, when Speight died.

In addition to the spin-off In Sickness and in Health, Till Death Us Do Part was re-made in many countries, from Brazil to Germany (Ein Herz und eine Seele), and Hong Kong (All in a Family), with the most notable remake being the long-running 1970s American series, All in the Family.

Many episodes from the first three series are thought to no longer exist, having been wiped in the mid 70s as was the policy at the time.

The series became an instant hit because, although a comedy, in the context of its time it did deal with aspects of working-class life comparatively realistically. It addressed racial and political issues at a difficult time in British society.

The attitude of those who made the programme was that Alf’s views were so clearly unacceptable that they were risible, but some considered the series uncomfortable and disturbing.

Some were oblivious to the fact that Johnny Speight was satirising racist attitudes. Ironically, many who held similar opinions to the character enjoyed the show, perhaps missing the point that Alf’s opinions were offensive and that they were being ridiculed.

Mitchell imbued the character of Alf Garnett with an earthy charm that served to humanise Alf and make him likable. According to interviews he gave, the fact that some viewers overlooked Alf’s views and regarded him as a rough diamond disappointed Speight.

The show captured a key feature of Britain in the 1960s – the widening generation gap. Alf (and to a lesser degree his wife) represented the old guard, the traditional and conservative attitudes of the older generation.

Alf’s battles with his left-wing son-in-law were not just ideological but generational and cultural. His son-in-law and daughter (a supporter of her husband rather than an active protagonist) represented the younger generation.

They saw the positive aspects of the new era such as relaxed sexual mores, fashions, music, etc. The same things were anathema to Alf – and indicative of everything that was wrong with the younger generation and the liberal attitudes they embraced.

Alf was portrayed as the archetypal working-class Conservative. The subjects that excited him most were football and politics, though his actual knowledge of either was limited.

He used language not considered acceptable for television in the 1960s. He often referred to racial minorities as "coons" and similar terms.

He referred to his Liverpudlian son-in-law as "Shirley Temple" or a "randy Scouse git" (Randy Scouse Git as a phrase caught the ear of Micky Dolenz of The Monkees who heard it while on tour in the UK – and who co-opted it as the title of the group’s next single – though their record label re-named it "Alternate Title" in the UK market to avoid controversy) and to his wife as a "silly moo" (a substitute for "cow" which was vetoed by the BBC’s head of comedy Frank Muir).

However, Michael Palin writes in his diary 16 July 1976 that Warren Mitchell told him that ‘silly moo" wasn’t scripted, "It came out during a rehearsal when he forgot the line "Silly old mare".’ Controversially, the show was one of the earliest mainstream programmes to feature the swear word "bloody".

The show was one of several held up by Mary Whitehouse as an example of the BBC’s moral laxity.

In a demonstration of Speight’s satirical skills – on learning that Mary Whitehouse was a critic of the show – Speight created an episode where Alf Garnett was seen as a fan of Whitehouse. He was seen proudly reading her current book. "What are you reading?" his son-in-law asks.

When he relates that it is Mary Whitehouse – his son-in-law sniggers. Alf’s rejoinder is "She’s concerned for the bleedin’ moral fibre of the nation!"

Ultimately "silly moo" became a comic catch phrase. Another Garnett phrase was "it stands to reason", usually before making some patently unreasonable comment.

Alf was an admirer of Enoch Powell, a right-wing Conservative politician known particularly for strong opposition to the immigration of non-white races into the United Kingdom.

Alf was also a supporter of West Ham United (a football club based in the East End) and known to make derogatory remarks about "the Jews up at Spurs" (referring to Tottenham Hotspur, a North London club with a sizeable Jewish following). This was a playful touch by Speight, knowing that in real life Mitchell was both Jewish and a Spurs supporter. In interviews, Speight explained he had originally based Alf on his father, an East End docker who was staunchly reactionary and held "unenlightened" attitudes toward black people. Speight made clear that he regretted his father held such attitudes – beliefs Speight regarded as reprehensible. Speight saw the show as a way of ridiculing such views and dealing with his complex feelings about his father.

The series switched to colour in 1972 and Rita had a baby son, Micheal.

Toward the end of the series Dandy Nichols fell ill and was unable to attend the live-audience recordings. The problem was solved by having her pre-record her lines which were then edited into the show.

Eventually even this was too much and so in a later episode Else was seen leaving for Australia, to Alf’s dismay. Patricia Hayes, who had been seen from time to time previously as next door neighbour Mrs. Reed, was given a first name Min and became a starring character along with her husband Bert, previously played by Bill Maynard and now by Alfie Bass.

The show’s rating began to suffer and in 1975, the series was dropped. The final episode, saw Alf lose his job and receive a telegram from Else asking for a divorce.

As with most BBC sitcoms Till Death Us Do Part was recorded before a live studio audience. The programs were recorded onto 2 inch Quadruplex videotape. From 1966 to 1968 the show was both taped and transmitted in black and white. When the show returned in 1970 it was recorded the same way only in colour.

The opening titles/end credits of the first colour episodes originally used the b/w sequence from the 60′s tinted in red, as seen on UKTV Gold repeats in 2006.

CAST

Warren Mitchell … Alf Garnett
Una Stubbs … Rita
Dandy Nichols … Else Garnett
Anthony Booth … Mike Rawlins

See video clip

www.youtube.com/watch?v=h36UigPqHqs&feature=related

Warren Mitchell (born 14 January 1926) is an English actor who rose to initial prominence in the role of bigoted cockney Alf Garnett in the BBC television series Till Death Us Do Part (1965-1975) scripted by Johnny Speight. He holds both British and Australian citizenship and has enjoyed considerable success in stage performances in both countries.

Mitchell was born Warren Misel in Stoke Newington, London. He is of Russian Jewish descent[1], but describes himself in interviews as an atheist who sometimes believes in God.[2] His father was a glass and china merchant. He was interested in acting from an early age, and attended the Gladys Gordon’s Academy of Dramatic Arts in Walthamstow from the age of seven. He did well at school and read physical chemistry at University College, Oxford, for six months. There he met his contemporary Richard Burton, and together they joined the RAF in 1944. He completed his navigator training in Canada just as the war ended.

Dandy Nichols (21 May 1907 – 6 February 1986) was an English actress most noted for her role as Else Garnett, the long-suffering wife of the racially bigoted and misogynistic character Alf Garnett in the BBC sitcom Till Death Us Do Part.

Born Daisy Sander in Hammersmith, London, she started her working life as a secretary in a London factory. Twelve years later, after drama, diction and fencing classes, she was spotted in a charity show by a producer, who offered her a job in his repertory theatre company in Cambridge. During her early career on stage she acted under the name Barbara Nichols but later changed it to Dandy, her childhood nickname.

When the Second World War broke out, she returned to office work but later undertook a six-week tour with ENSA. When the war was over, she returned to the theatre and also began appearing in films: usually comedies and invariably as a maid or char.

Her successes in theatre include the Royal Court Theatre and Broadway productions of Home. Her big screen debut was in Hue and Cry, in 1947, followed with performances in Nicholas Nickleby, The Winslow Boy, The History of Mr Polly, Scott of the Antarctic, Mother Riley Meets the Vampire and Dickens’ The Pickwick Papers.

Una Stubbs (born 1 May 1937) is an English actress and former dancer who has appeared extensively on British television and less frequently in films or on the stage. She is particularly known for her roles in the sitcom Till Death Us Do Part and the children’s series Worzel Gummidge.

Una Stubbs was born at Hinckley, Leicestershire. She first appeared on television as one of The Dougie Squires Dancers on the British TV music show Cool for Cats in 1956.

Her first major screen role was in Cliff Richard’s 1963 film, Summer Holiday. A few years later, she made her breakthrough in television comedy, playing Rita Rawlins, the married daughter of Alf Garnett in Till Death Us Do Part. She also appeared in the short-lived sitcom Till Death… (1981), again playing Rita.

From 1970 to 1972, Stubbs appeared on most editions of It’s Cliff Richard! and It’s Cliff! on BBC1, singing, dancing and acting along with the host and the weekly guests. When she took maternity leave from the show, her TV mother Dandy Nichols appeared on the show with Cliff to cover for her absence. She also appeared in the 1972 West End revue, Cowardy Custard, and two years later in the revue Cole, at the Mermaid Theatre.

Stubbs featured in the Fawlty Towers episode "The Anniversary". She played Rita a third time in a few episodes of the BBC sitcom In Sickness and in Health (1985-92). But after 1986, she stopped appearing as Rita, due to technical arguments with the BBC. However, she played Rita a fourth time in the Granada series, A Word With Alf.

Stubbs played Aunt Sally in the ITV children’s series Worzel Gummidge opposite Jon Pertwee, and was for several years a team captain in the weekly game show Give Us a Clue. She had an ongoing role as Miss Bat in the TV series The Worst Witch and has appeared in shows such as Midsomer Murders, Heartbeat, Casualty, Keeping up Appearances and as Edith Pagett in ITV’s 2006 adaptation of Agatha Christie’s Miss Marple story Sleeping Murder. Stubbs has also appeared in The Catherine Tate Show playing various characters.

On stage, Stubbs appeared in Noël Coward’s "Star Quality" in 2001. She also appeared in La Cage Aux Folles at the Menier Chocolate Factory in 2008.

Antony "Tony" George Booth (born 9 October 1931 in Liverpool, better known as Tony Booth) is an English actor, best known for his role as Mike Rawlins in the BBC series Till Death Us Do Part. His daughter, Cherie, a prominent Queen’s Counsel, is married to former Prime Minister Tony Blair. He is a cousin to the Booth family of 19th-century American actors.

Booth was born into a working class family in Jubilee Road, Liverpool. His father was a merchant seaman during World War II, his mother was of Irish descent. He attended St Edmunds Infant’s School and spent a year in hospital as a child with diphtheria. He then passed the 11 plus examination and attended St. Mary’s College, Crosby where he was awarded a bursary to cover the cost of his books. Hopes that he could progress to university were dashed when he had to leave school and get a job after his father was badly injured in an industrial accident. He then worked as a clerk in a docklands warehouse and at the United States Consulate in Liverpool, before being called up for national service with the Royal Corps of Signals.

Day 1 – New Year’s Day
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Image by Karin Beil
January 1, 2010 – For many years, our New Year’s Day tradition has been to stay at home, watch football, watch movies, play games, graze on leftover holiday goodies, and have milkshakes for dinner. The four of us had a wonderful day today! Holiday traditions sometimes need to change as family circumstances change. I’m so glad we have not yet had to change this tradition of family bonding. It was wonderful having our adult daughters home with us today.

Happy New Year!

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Small Dog Service
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Image by Muffet
For years, I have purchased Apple products from Small Dog Electronics because they were recommended by my daughter Jessamyn. They turned out to be as helpful as she said they would be. However, I had never been to the store before this week. Everything had been done online or by telephone. Yesterday I finally had the chance to visit the store in person. They were really great–good service, unintimidating, and helpful. I refrained from telling them that my brother was now the new voice of Apple products online, but I’ll let you in on the secret….You can hear him here.

Virginia Johnson dancing Qigong Chinese medicine practice, while 5 Indian men watch, in front of an old Tata truck, modern gas station, east of Delhi, on the 1993 pilgrimage to the Buddha’s 8 Holy Places, accompanying HH Jigdal Dagchen Sakya, India

A few nice films to watch images I found:

Virginia Johnson dancing Qigong Chinese medicine practice, while 5 Indian men watch, in front of an old Tata truck, modern gas station, east of Delhi, on the 1993 pilgrimage to the Buddha’s 8 Holy Places, accompanying HH Jigdal Dagchen Sakya, India
films to watch

Image by Wonderlane

Love it! This is how I like to watch films too.
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Image by Erica Hargreave

Don’t Be Afraid of The Dark – Watch HD Quality Movie part 1

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ptm.ro Click on the link to Watch Definitely. Maybe Full Movie Online Free Romantic comedy: Will Hayes, a 30-something Manhattan dad is in the midst of a divorce when his 10 year old daughter, Maya, starts to question him about his life before marriage. Maya wants to know absolutely everything about how her parents met and fell in love. Will’s story begins in 1992, as a young, starry-eyed aspiring politician who moves to New York from Wisconsin in order to work on the Clinton campaign. For Maya, Will relives his past as a idealistic young man learning the ins and outs of big city politics, and recounts the history of his romantic relationships with three very different women. On the campaign, Will’s best buddy is Russell McCormack. They not only have similar political aspirations, they share the same type of girl problems, too. Will hopelessly attempts a “PG” version of his story for his daughter ad changes the names so Maya has to guess who he finally married. Is her mother Will’s college sweetheart, the dependable girl next-door Emily? Is she his longtime best friend and confidante, the apolitical April? Or is she the free-spirited but ambitious journalist? As Maya puts together the pieces of her dad’s romantic puzzle, she begins to understand that love is not so simple or easy. And as Will tells her his tale, Maya helps him to understand that it’s definitely never too late to go back…and maybe even possible to find a happy ending. Definitely. Maybe full online part 1
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Buy Song: www.amazon.com (Affiliate link) Helplessness Blues, the latest album from Fleet Foxes, is available on May 2nd in the UK, and May 3rd in the US. This footage was shot over a 5 month span in different parts of Arizona. Some of the footage includes some rare events including the snow in Scottsdale this year, snow clouds on the San Francisco Peaks in Flagstaff, and the lunar eclipse.

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China Warns Washington: “US Should Stay Away From S.China Sea” (WW3 Watch)

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A recent Wall Street Journal article has caused a kerfuffle with North American and Asian parents alike. At issue, the stereotypes depicted in the article, “Why Chinese Mothers are Superior.” But is there anything to be learned from a strict form of parenting espoused in the article? Are North American parents too soft?
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