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Blender 3D: How to make the Superman opening titles.

Thanks for subscribing! See more at www.firechildvideo.blogspot.com In this tutorial we will be taking a look at some interesting techniques involved in creating an opening title sequence similar to the iconic Superman Movie opening titles. Topic we will discuss How to create outline only text How to extrude text How to animate Modifier parameters How to animate pretty much ANYTHING Plenty of fan boy humor and awesome fantasticness!
Video Rating: 4 / 5

Nice Animation Making photos

Check out these animation making images:

L’amore non la guerra – Make love not war
animation making

Image by Luigi Viscido

Mr. Fox makes a toast
animation making

Image by cphoffman42

When the train comes in and makes a hellacious racket, I can sing out loud at the top of my lungs. Hallelujah! Hallelujah!

Check out these how to make animation images:

When the train comes in and makes a hellacious racket, I can sing out loud at the top of my lungs. Hallelujah! Hallelujah!
how to make animation

Image by Ed Yourdon
Note: this photo was published in an undated (Jan 30, 2011) Everyblock NYC zipcodes blog titled "10011."

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This is a continuation of a series of subway photos that I began in 2009-2010, which you can find here and here on Flickr, and which I’ve continued — on a station-by-station basis — in 2011. The photos in this set were taken in the 14th Street IRT station, on the middle express-platform, in January 2011.

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Over the years, I’ve seen various photos of the NYC subway "scene," usually in a relatively grim, dark, black-and-white format. But during a spring 2009 class on street photography at the NYC International Center of Photography (ICP), I saw lots and lots of terrific subway shots taken by my fellow classmates … so I was inspired to start taking some myself.

One of the reasons I rarely, if ever, took subway photos before 2009 is that virtually every such photo I ever saw was in black-and-white. I know that some people are fanatics about B/W photography as a medium; and I respect their choice. And I took quite a lot of B/W photographs of my own in the late 60s and early 70s, especially when I had my own little makeshift darkroom for printing my own photos.

But for most of the past 40 years, I’ve focused mostly on color photography. As for photos of subways, I don’t feel any need to make the scene look darker and grimier than it already is, by restricting it to B/W. Indeed, one of the things I find quite intriguing is that there is a lot of color in this environment, and it’s not too hard to give some warmth and liveliness to the scene…

To avoid disruption, and to avoid drawing attention to myself, I’m not using flash shots; but because of the relatively low level of lighting, I’m generally using an ISO setting of 3200 or 6400, depending on which camera I’m using. As a result, some of the shots are a little grainy – but it’s a compromise that I’m willing to make.

Thus far in 2011, I’ve been using a small, compact "pocket" camera == the Canon G-12 — in contrast to the somewhat large, bulky Nikon D300 and D700 DSLRs that I used predominately in 2009 anbd 2010. If I’m photographing people on the other side of the tracks in a subway station, there’s no problem holding up the camera, composing the shot, and taking it in full view of everyone. But if I’m taking photos inside a subway car or photos of people on the same side of the platform where I’m standing, I normally set the camera lens to a wide angle (18mm or 24mm) setting, point it in the general direction of the subject(s), and shoot without framing or composing.

What I find most interesting about the scenes photographed here is how isolated most people seem to be. Of course, there are sometimes couples, or families, or groups of school-children; but by far the most common scene is an individual standing alone, waiting for a train to arrive. He or she may be reading a book, or listening to music, or (occasionally) talking to someone on a cellphone; but often they just stare into space, lost in their own thoughts. Some look happy, some look sad; but the most common expression is a blank face and a vacant stare. It’s almost as if people go into a state of suspended animation when they descend underground into the subway — and they don’t resume their normal expression, behavior, and mannerisms until they emerge back above-ground at the end of their ride.

Anyway, this is what it looks like down underground … or at least, this is what it’s like in the stations I’ve visited and photographed so far. If I feel energetic enough in 2011, maybe I’ll try to photograph people in every subway station. It would be interesting to see what kind of variety can be seen…

OMG! It worked! Now how do I get off this damn train?
how to make animation

Image by Ed Yourdon
Note: this photo was published in an undated (Feb 8, 2011) Everyblock NYC zipcodes blog titled "10031."

*********************************

This is a companion to the previous photo in this Flickr set (shown here), and it’s the continuation of a series of subway photos that I began in 2009-2010, which you can find here and here on Flickr, and which I’ve continued — on a station-by-station basis — in 2011. The photos in this set were taken in the 137th IRT station, on both the uptown and downtown platforms, in February 2011.

********************************

Over the years, I’ve seen various photos of the NYC subway "scene," usually in a relatively grim, dark, black-and-white format. But during a spring 2009 class on street photography at the NYC International Center of Photography (ICP), I saw lots and lots of terrific subway shots taken by my fellow classmates … so I was inspired to start taking some myself.

One of the reasons I rarely, if ever, took subway photos before 2009 is that virtually every such photo I ever saw was in black-and-white. I know that some people are fanatics about B/W photography as a medium; and I respect their choice. And I took quite a lot of B/W photographs of my own in the late 60s and early 70s, especially when I had my own little makeshift darkroom for printing my own photos.

But for most of the past 40 years, I’ve focused mostly on color photography. As for photos of subways, I don’t feel any need to make the scene look darker and grimier than it already is, by restricting it to B/W. Indeed, one of the things I find quite intriguing is that there is a lot of color in this environment, and it’s not too hard to give some warmth and liveliness to the scene…

To avoid disruption, and to avoid drawing attention to myself, I’m not using flash shots; but because of the relatively low level of lighting, I’m generally using an ISO setting of 3200 or 6400, depending on which camera I’m using. As a result, some of the shots are a little grainy – but it’s a compromise that I’m willing to make.

Thus far in 2011, I’ve been using a small, compact "pocket" camera == the Canon G-12 — in contrast to the somewhat large, bulky Nikon D300 and D700 DSLRs that I used predominately in 2009 anbd 2010. If I’m photographing people on the other side of the tracks in a subway station, there’s no problem holding up the camera, composing the shot, and taking it in full view of everyone. But if I’m taking photos inside a subway car or photos of people on the same side of the platform where I’m standing, I normally set the camera lens to a wide angle (18mm or 24mm) setting, point it in the general direction of the subject(s), and shoot without framing or composing.

What I find most interesting about the scenes photographed here is how isolated most people seem to be. Of course, there are sometimes couples, or families, or groups of school-children; but by far the most common scene is an individual standing alone, waiting for a train to arrive. He or she may be reading a book, or listening to music, or (occasionally) talking to someone on a cellphone; but often they just stare into space, lost in their own thoughts. Some look happy, some look sad; but the most common expression is a blank face and a vacant stare. It’s almost as if people go into a state of suspended animation when they descend underground into the subway — and they don’t resume their normal expression, behavior, and mannerisms until they emerge back above-ground at the end of their ride.

Anyway, this is what it looks like down underground … or at least, this is what it’s like in the stations I’ve visited and photographed so far. If I feel energetic enough in 2011, maybe I’ll try to photograph people in every subway station. It would be interesting to see what kind of variety can be seen…

TYT – Extended Clip September 19, 2011

The Largest Online News Show in the World. Google+: www.gplus.to Facebook: www.facebook.com Twitter: twitter.com Support TYT for FREE: bit.ly
Video Rating: 4 / 5

Dilbert Animated Cartoons – Zero Concept and Our Record Loss

www.dilbert.com by Scott Adams. RingTales presents an animated Dilbert cartoon. In Zero Concept, The Boss wants the full technical explanation. In Our Record Loss, Dilbert and Wally read the company press release.

Hey Uncle Bobbie – could you point your gun up in the air and fire it off once or twice? I wanna watch everyone freak out…

Some cool watch the last don images:

Hey Uncle Bobbie – could you point your gun up in the air and fire it off once or twice? I wanna watch everyone freak out…
watch the last don

Image by Ed Yourdon
Note: this photo was published in an undated (Dec 25, 2010) Everyblock NYC zipcodes blog titled "10020."

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As I wrote when I visited Rockefeller Center a year ago, it’s a well known phenomenon that most people never bother to visit the famous landmarks and tourist attractions in their own city. God only knows how many Parisians have never visited the Louvre, and how many Londoners have never been inside Buckingham Palace. Many Washingtonians would probably have to admit that they’ve never been on the White House tour, and I can only guess at the number of New Yorkers who have never been to the top of the Empire State Building.

When we do visit such landmarks, it’s often because a visiting relative insists on seeing it; or sometimes guilt will force us to drag our young children to see the sights, because "everyone should see the XYZ building as part of their education." That probably explains why I can actually say that I’ve been to the Statue of Liberty (though it was more than 35 years ago), why I’ve been to the 102nd floor of the Empire State Building, and why I dined at Windows on the World in the days before 9-11. I even spent one miserable New Year’s Eve in Times Square, along with a million other screaming revelers — which most New Yorkers would tell you is something only wide-eyed tourists and drunken teenagers from New Jersey would want to experience.

But despite all the tourist attractions I can say that I’ve been to in New York (Yankee Stadium, the Bronx Zoo, and so on), I have to admit that I’ve only been to Rockefeller Center once during the Christmas season — as documented in this this Flickr set. I’ve watched the annual tree-lighting ceremony on television numerous times, but have had no interest in standing in the bitter cold with a gazillion tourists as the tree is hoisted and lit. Nor have I had any interest in visiting during the final days leading up to the Christmas holiday itself …

As I did last year, I skipped the tree-lighting ceremony this year — but since I did come down here a year ago to take some photos, I thought it might be worth returning once again. Why? Because I thought the ice-skating rink would once again be a scene of dazzling color, stylish fashions, and great displays of athletic prowess on the ice. Unfortunately, that only seems to be true in Hollywood movies; like last year, what I saw was mostly a bunch of klutzy skaters and children sprawled out on the ice when they tripped and fell. There were a few attractive people, but no dazzling beauties; and the outfits were generally fairly dull and uninteresting. The only improvement this year was a rotund Santa Claus, who was friendly enough to cuddle up to several couples and family groups for some tourist photos.

I did manage to get a few interesting photos of skaters and local scenery, and I dutifully captured a vertical shot of the enormous Christmas tree. But after that, I fell back on my most favorite activity: photographing the "ordinary" people who milled around the square-block center, most of them observing the skaters and the overall scene. Almost all were tourists and visitors, and the Tower-of-Babel collection of dialects and languages made it clear that quite a few were international visitors, many with children in tow.

The other difference between this year and last year is that I shot videos as well as still shots; I’m still organizing the videos, and they will eventually be combined with some other videos taken during this week before Christmas. Meanwhile, though, I hope you’ll enjoy these still photos of the Christmas scene at Rockefeller Center…

Nature’s Fireworks
watch the last don

Image by -Snugg-
These fireworks are my favorite kind. They’re quite expansive, covering nearly the whole sky, they last for many times the span of their artificial counterparts. They are bright, yet subtle, showy on the surface but also offering minute variations in color and texture to more astute viewers. Not only are they safer because they don’t require pyrotechnicians, but they are also gentler on the ears — great for old folks and tykes, and anyone who wants to be able to hear until next year… all in the comfort of your backyard.

With a sky like this, how can you justify getting in the car and going off into the crowds to watch people explode things into the air? I think this may be my new 4th of July tradition! I just hope it doesn’t rain next year….

(without color adjustments!)

Arlo watching Abby, watching the funny lights
watch the last don

Image by DirtBikeDBA (Mike)
I don’t know how long the novelty will last, but the cats are totally intrigued by this umbrella thingy that makes funny light.

Hino Rei (火野 レイ)

A few nice Anime Downloads images I found:

Hino Rei (火野 レイ)
Anime Downloads

Image by feureau
Hino Rei
By Feureau (火野 レイ) on www.feureau.com/

Hino Rei from the popular series Sailor Moon.

Rei of the Fire. I think my somewhat of a qualm with the default design of this character is that her hair is black. It’s not an entirely bad design or whatever. A truly red hair would probably overkill, but I’m pretty sure her hair should be a bit reddish.

Click Download for Full Resolution view. ^^

PS> Also, her US version name, Raye Hino, reflects how half-assed US anime imports are.

Sailor Moon © Copyright Kodansha.

Tyler, the Creator BEST MOMENTS PART 2 (more funny)

montage funny #2

Korean Movie “아름답다 (Beautiful. 2007)” Poster Making

아름답다 (Beautiful/ ARumDabDa) 2007/ South Korea/ 87min/ Romance, Drama Director: 전재홍 (Jeon Jae-hong) Producer: 김기덕 (Kim Ki-duk) Cast: 차수연 (Cha Soo-yeon), 이천희 (Lee Chun-hee), 김민수 (Kim min-su), 최명수 (Choi Myeong-su), 이민 (Lee Min), 김범준 (Kim Beom-jun), 김왕근 (Kim Wang-geun), 표은진 (Pyo Eun-jin), 김명훈 (Kim Myeong-hun), 권정민 (Gwon Jeong-min) Korea Theatrical Run: 2008.02.14 Synopsis: A miserable girl because of her irresistible beauty.. Is her beauty the Blessing? Or the Curse? There is a girl, Eun-young, who is not happy for her breathtaking beauty. She gets lonely and exhausted from the stares from men and jealousies from women. One day, she gets raped by one of her stalkers, Sung-min and hears the terrible words from him. “I did it just because you are so beautiful.” She believes that she was raped because of her cruel beauty and starts to kill her beautiful looks. And there is one guy who runs after her… (KOFIC) www.KMDb.com 아름답다 예고편 Trailer 뮤직비디오 MV
Video Rating: 4 / 5

Doorstep Make-over: 30

Check out these make a movies images:

Doorstep Make-over: 30
make a movies

Image by Jef Harris
Ah, another great set of behind the scene shots from an indy zombie. I can’t get enough of these! This time I was helping out a friend, Ralph Gethings, shoot his short called, "Doorstep Make-over". About a clueless sales man doing door to door sales right in the middle of a huge violent zombie breakout. It’s a comedy…

Doorstep Make-over: 44
make a movies

Image by Jef Harris
Ah, another great set of behind the scene shots from an indy zombie. I can’t get enough of these! This time I was helping out a friend, Ralph Gethings, shoot his short called, "Doorstep Make-over". About a clueless sales man doing door to door sales right in the middle of a huge violent zombie breakout. It’s a comedy…